Over several years, a series of photographs was created during various stays in Korea, in the context of organized DMZ tours. These visits revealed the extent to which the border area is now also shaped by tourist infrastructures. The DMZ is not only presented as a political and historical site, but also as a consumable experience: with predefined routes, viewing platforms, souvenirs, and standardized narratives. The tension between the actual geopolitical reality and its touristic staging produces a disquieting effect. A place that stands for division, military confrontation, and unresolved conflict is simultaneously transformed into a commodified form of experience.